Chord progression D A D B Em A D | ![]() |
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This page contains two examples
Example n. 1: F Schubert, Second theme from the First movement of Symphony in b minor, "Unfinished"
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k = 0 | ![]() |
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k = 2.5 | ![]() |
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k = 4.0 | ![]() |
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k = -2.5 | ![]() |
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The graphs show the changes in loudness induced by the Harmonic charge rule. Tempo is changed proportionally, so that it is slowed down when a chord approaches which has a higher harmonic charge than the previous chord, and vice versa.
No-Harmonic-Charge, k = 0 | |
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Medium, k = 2.5 | |
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Exaggerated, k = 4.0 | |
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Inverted, k = -2.5 | |
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Listen also to how the rule works when applied together with a set of other performance rules.
In this example many rules are applied, such as:
Example n. 2: J Brahms, Theme in third movement of the Quartet in c minor for piano and strings, Op 60.
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k = 0 | ![]() |
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k = 2.5 | ![]() |
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k = 5.0 | ![]() |
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k = -2.5 | ![]() |
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No-Harmonic-Charge, k = 0 | |
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Medium, k = 2.5 | |
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Exaggerated, k = 5.0 | |
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Inverted, k = -2.5 | |
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