These are the sound examples accompanying the study about music performance applied on different styles:
Friberg, A. and Bisesi, E. (2013) Using computational models of music performance to model stylistic variations. In Fabian, D.; Timmers, R.; Schubert, E. (Ed.), Expressiveness in music performance: Empirical approaches across styles and cultures (pp. 240-259). Oxford University Press.
The examples have been generated using the Director Musices program, the Simip MIDI player, and a Kontakt sampler (Chopin and Webern) or a Yamaha P90 electronic piano (Bach).
Baroque Example: J.S. Bach Duetto BWV 804 no. 3 in G major.
| Nominal (strictly according to score) | |
| Melodic accent | |
| Harmonic accent | |
| Metric accent | |
| Phrasing | |
| Final combination |
Romantic music: F. Chopin Berceuse op. 57 in D flat major
| Nominal (strictly according to score) | |
| Melodic accent | |
| Harmonic accent | |
| Metric accent | |
| Phrasing | |
| Final combination |
Contemporary art music: A. Webern Variations op. 27 n. 3
| Nominal (strictly according to score) | |
| Melodic accent | |
| Chromatic charge | |
| Phrasing | |
| Final combination |