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Publications byErik V. Jansson |
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| Recent papers
Publications for the committe for acoustics of music Works republished as benchmark papers in acoustics Works republished in research papers in violin acoustics 1975-1993 Lecturing materials Refereed papers Popular papers Technical papers published in STL-QPSR and TMH-QPSR Further technical papers Congress papers Thesis for Master of Science:
Thesis for Doctor of Science:
2001
2000
1999
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1. Music, Room, Acoustics (1977). 2. Vår Hörsel och Musiken (1979). 3. Music Perception in Concert Halls (1979). 4. Sound Generation in Winds, Strings and Computers (1980). 5. Research Aspects of Singing (1981). 6. Function, Construction and Quality of the Guitar (1983). 7. Studies of Music Performance (1983). 8 I o II. Stockholm Music Acoustic Conference 1983 (1985 ). 9. Acoustics for Choir and Orchestra (S Ternström editor, 1986). 10. Harmony and Tonality (1987). 11. Acoustics of the Piano (A Askenfelt editor, 1990). 12. Somasensory feedback in musical perfomrnace (1991) 13. Gluing tones - Grouping in music composition, performance and listneing (1992) 14. Instrument and interpretation (1993). 15. Stockholm Music Acoustic Conference 1993 Go to top
B1. (S2) Resonances of a violin body studied by hologram intererometry and acoustical methods (together with N-E. Molin and H. Sundin), in Vol. 6, ed. C.M. Hutchins (1976). B2. (T3) On higher air modes in the violin, in Vol. 6, ed. C.M. Hutchins (1976). B3. (S4) On plane and spherical waves in horns with nonuniform flare, I: Theory of radiation, resonance frequencies and radiaion losses, II: Prediction and measurements of resonance freuencies and radiation losses, (both parts together with A.H. Benade), in Vol. 9, ed. E.L. Kent (1977). Go to top
B4. (S9) Acoustical properties of complex cavities, prediction and measurement of the resonance properties of violin-shaped and guitar-shaped cavities, Acustica 37 (1977), pp. 211-221. B5. (S11) Long-time-average-spectra and rated qualities of twentytwo violins (together with A. Gabrielsson), Acustica 42 (1979), pp. 47-55. B6. (S12) Analysis and assesssment of musical starting transients, Acustica 51 (1982), pp. 249-262 (together with H. Pollard). B7. (S13) A tristimulus method of musical starting transients, Acustia 51 (1982), pp. 162-171 (together with H. Pollard). B8. (S14). Eigenmodes, input admittance and the function of the violin, Acustica 50 (1982), pp. 329 - 337 (together with J. Alonso Moral). B9. (T24) Experiments with Free Violin Plates, J Catgut Acoust Soc 1 No 2 (1988 ) pp 2-6 (together Alonso and J Niewzcyk). B10. (S18) Parameters of Violin Plates and Their Influence on Violin Modes, J Acoust Soc Am 83 (1988), pp. 281-291 (together with Molin and Lindgren). B11. (S21). Transient Wave Propagation in Wooden Plates for Musical Instruments, J Acoust Soc Am 85 (1989), pp. 2179-2184 (together with Molin). B12. (T26). On Tuning of the Violin Bridge, J Catgut Acoust Soc no 6 1 (1990), pp. 11-15 (together with Fryde'n and Mattsson). B13. (S23) Transient wave response of the violin body, J Acoust Soc Am 88 (1990), pp. 2479-2481 (together with Molin and Wåhlin) B14. (S24) Transient wave response of the violin body revisited, J Acoust Soc Am 90 (1991), pp. 2192-2195 (together with Molin and Wåhlin) B15. (S28) On Vibration Sensation and Finger Touch in Stringed Instrument Playing, Music Perception 9 (1992), pp. 311-350 (together with Askenfelt). Go to top
L.1 Compendium in Music Acoustics (together with A. Askenfelt, J. Sundberg, B. Lindblom): "Instrumentlära med rumsakustik" och "Mätteknik", Centrum för talkommunikationsforskning och musikakutik, KTH, 1977 L.2 Compendium in Room Acoustics for the Course in Speech Communication: "Talöverföring i rum", KTH 1988. L.3 Compendium at the KTH Course: "Akustik för för fiol- och gitarrbyggare", KTH 1986, 1992, 1996, and 2002. L.4 Compendium in English “Acoustics for Violin and Guitar makers". KTH 2002. Go to top
S2. Resonances of a violin body studied by hologram interferoetry and acoustical methods (together with N-E. Molin and H. Sundin), Physica Scripta 2 (1970), pp. 243-256. S3. An investigation of a violin by laser speckle interferometry and acoustical measurements, Acustica 29 (1973), pp. 21-28. S4. On plane and spherical waves in horns with nonuniform flare, I: Theory of radiation, resonance frequencies and radiation loses, Acustica 31 (1974), pp. 79-98; II: Prediction and measureents of resonance frequencies and radiation losses, pp. 185-202 (both parts together with A.H. Benade). S5. The STL-ionophone: transducer properties and construction (together with F. Fransson), J.Acoust.Soc.Am. 58 (1975), pp. 910-915. S6. Long-time-average-spectra applied to analysis of music. Part I: Method and general applications (together with J. Sundberg), Acustica 34 (1976), pp. 15-19. S7. Long-time-average-spectra applied to analysis of music. Part II: An analysis of organ stops (together with J. Sundberg), Acustica 34 (1976), pp. 269-274. S8. Long-time-average-spectra applied to analysis of music. Part III: A simple method for surveyable analysis of complex sound sources by means of a reverberation chamber, Acustica 34 (1976), pp. 275-280. S9. Acoustical properties of complex cavities, prediction and measurement of the resonance properties of violin-shaped and guitar-shaped cavities, Acustica 37 (1977), pp. 211-221. S10. Tone characteristics of the violin, Svensk Tidskrift för Musikforskning, 60:1 (1978), pp. 83-105. S11. Long-time-average-spectra and rated qualities of twentytwo violins (together with A. Gabrielsson), Acustica 42 (1979), pp. 47-55. S12. Analysis and assesssment of musical starting transcients, Acustica 51 (1982), pp. 249-262 (together with H. Pollard). S13. A tristimulus method of musical starting transients, Acustia 51 (1982), pp. 162-171 (together with H. Pollard). S14. Eigenmodes, input admittance and the function of the violin, Acustica 50 (1982), pp. 329 - 337 (together with J. Alonso Moral). S15. Sound Levels and Long-Time Spectra Recorded within the Symphiny Orchestra and Risk Criteria for Hearing Loss, Scandinaian Audiology 12 (1983), pp. 215-221 (together with K Karlsson). S16. Modal Properties of Wooden Plates Determined by TV-Holography and Electroacoustical Methods, J Sound and Vibration 111 (1986), pp.115-124 (together wihg L Ek). S17. Investigations into the Acoustical Properties of the Violin, Acustica 62 (1986), pp 1-15 (togeher with Bork and Meyer). S18. Parameters of Violin Plates and Their Influence on Violin Modes, J Acoust Soc Am 83 (1988), pp. 281-291 (together with Molin and Lindgren). S19. From Touch to String Vibrations.I: Timing in the Grand Piano Action, J Acoust Soc Am 88 (1990), pp. 52-63 (together with Askenfelt). S20. Experiments with Violin Plates and Different Boundary Conditions, J Acoust Soc Am 85 (1989), pp. 68-77 (together with B Niewczyk). S21. Transient Wave Propagation in Wooden Plates for Musical Instruments, J Acoust Soc Am 85 (1989), pp. 2179-2184 (together with Molin). S22. Experiments with the Violin String and Bridge, Appl Acoustics 30 (1990), pp. 133-146. S23. Transient wave response of the violin body, J Acoust Soc Am 88 (1990), pp. 2479-2481 (together with Molin and Wåhlin) S24. Transient wave response of the violin body revisited, J Acoust Soc Am 90 (1991), pp. 2192-2195 (together with Molin and Wåhlin) S25. From Touch to String Vibrations.II: The motion of the key and hammer, J Acoust Soc Am 90 (1991), pp. 2383-2393 (together with Askenfelt). S26. Acoustical measurements of qualityrated violins and a new measurement method, Acoust Australia 20 No.1 1992, pp.11-15 S27. Experiments on the construction and function of the violin , JCAS Nov 1992, pp 6-11 (together with B Niewczyk och Frydén). S28 On Vibration Sensation and Finger Touch in Stringed Instrument Playing, Music Perception 9 (1992), pp. 311-350 (together with Askenfelt). S29. From Touch to String Vibrations. III: String motion and spectra, J Acoust Soc Am 93 (19931), pp. 2181-2195 (together with Askenfelt). S30. Vibration modes of neck, scroll and fingerboard, JCAS Nov 1993, pp.10-14 (together with R Day). S31. On eigenmodes of the violin - Electronic holography and admittance measurments, J Acoust Soc Am 95 (94), pp 1100-1105 (together with Molin and Saldner). S32. Experiments with transiernt waves in a violin bridge, JCAS Nov 1994, pp. 24-27 (together with Lindberg, Lindgren and Molin). S33. Admittance Measurments of 25 High Quality Violins, Acustica united with Acta Acustica 83 (95), pp. 337-341 S34. Amittance Measurements of Higly Arched Violins, Acustica united with Acta Acustica 83 (95), pp. 571-574 (together with Benedykt Niewczyk) S35. Vibration Modes of the Violin Forced via the Bridge and Action of the Soundpost, J Acoust Soc Am 100 (96), pp 1168-1177 (together with Molin and Saldner). S36. On Body Resonance C3 and Violin Construcion, CASJ May 1997, pp. 9-14 (together with Niewczyk and Fryde'n). S37. On the acoustics of the violin: Bridge or body hill , CASJ May 1999, pp. 23-27 (together with B Niewczyk). S38. On operating deflection shapes of the violin body including in-plane motions, J Acoust Soc Am 107 (2000), pp 3452-3459 (together with Runnemalm and Molin). Go to top
F2. Resonanser i en violins lock och botten (together with N-E. Molin and H. Sundin), Slöjd och Ton, part 1, 1971, no. 6 and part 2, 1972, no. 1. F3. Om undersökningar av fioler, Svensk Naturvetenskap (1973), pp. 173-180. F5. Om materialets, tjocklekens och fastsättningens betydelse för vibrationer i och ljudutstrålning från trä, Slöjd och Ton no. 2, 1975 (this is the first part of the Technical Report, March 15, 1975 from the Dept. of Speech Communication, KTH). F6. Stradivarii gåta, Konsertnytt no. 13 and 14, 1975. F7. On the acoustics of musical insgtruments, pp. 82-113 in Music, Room, Acoustics, The Royal Swedish Academy of Music, Stockholm 1977. F8. On sound radiation of musical instruments, pp. 154-164 in Music, Room, Acoustics, The Royal Swedish Academy of Music, Stockholm 1977. F9. Undersökningar av musikinstrumentens akustik - kan de ge något av nytta?, Musikrevy 33 (1978), pp. 20-21. F11. Från en undersöknikng av gitarrens ton, kvalitet och akusiska egenskaper, Musikrevy 33 (1978), pp. 284-289. F12. Analyser av fiol- och gitarrklang (together with A. Gabielsson) in Vår hörsel och musiken, pp. 47-77, The Royal Swedish Academy of Music, Stockholm 1979. F12. Function and factors determining quality of the violin, pp. 204-208 in Sound Generation in Winds, Strings, Computers, Publiation from the Royal Swedish Academy of Music no. 29, 1980. F14. Bättre gitarrer till bättre pris. Report from a research project, Musikrevy 35 (1980), pp. 308-313. F15. Recent violin research at KTH, pp. 229-245 in Sound Generaion in Winds, Strings, Computers, Publication from the Royal Swedish Academy of Music no. 29, 1980 (together with J. Alonso Moral). F16. Musikakustik och gitarrens fysik, Elementa 64 (1981), pp. 61-67. F17. Musiken, lyssnaren, instrumentet och rummet, in IFM Akustikyråns studiokurs "Projektering och användning av studiolokaler", 1981. F18. Acoustics for the Guitar Player, pp. 7-26, in Function, Construction and Quality of the Guitar, Publication from the Royal Swedish Academy of Music no. 38, 1983. F19. Acoustics for the Guitar Maker, pp. 27-50, in Function, Construction and Quality of the Guitar, Publication from the Royal Swedish Academy of Music no. 38, 1983. F20. Acoustics of the Bronze Lur, proceedings from ICTM study group of Music Archeology, Stockholm 1984. F21. Do Musicians of the Symphony Orchestra Become Deaf? in Acoustics for Choir and Orchestra, Publication from the Royal Swedish Academy of Music no. 52, 1986 (together with Axelsson, Karlsson and Olaussen). F22. Talrika tangenter och bukiga bottnar - forskning och fakta om piano och fiol, Naturvetenskapliga forskningsrådets årsbok 88/89 Forska på tvären, pp 503-516 (together with Askenfelt). F23. Violinen och
dess mekanik, Teknik och vetenskap, dec 1991, pp. 26-29 (together with
F24 Klangfärg och spjälstaket i Instrument och interpretation, skrift tillägnad Lars Frydén, KMA 76 (1993) pp. 59-68. F25. Vad har en Stradivarius som inte Svensson-fiolen har, pp. 6-10, Musica Vitae Musikliv spring 1995 Go to top
Q1. Analogies between bowed string instruments and the human voice, source-filter models, STL-QPSR 3/1966. Q2. A comparison of acoustical measurements and hologram intererometry measurements of the vibrations of a guitar top plate, STL-QPSR 2-3/1969 (final version S1). Q3. An application of the STL-ionophone as a microphone (together with J. Sundberg), STL-QPSR 4/1969. Q4. On vibration modes of a violin top plate. A study by holoram interferometry (together with N-E. Molin and H,. Sundin), STL-QPSR 2-3/1970. Q5. Properties of the STL-ionophone (together with F. Fransson), STL-QPSR 2-3/1971 (final version S5). Q6. An investigation of a violin by laser speckle interferometry and acoustical measurements (final version S3). Q7. Recent studies of wall and air resonances in the violin, STL-QPSR 4/1972. Q8. Long-time-average-spectra applied to analysis of music (toether with J. Sundberg), STL-QPSR 4/1972 (final version S6). Q9. An investigation of acoustical properties of the air cavity of the violin, STL-QPSR 1/1973. Q10. Coupling of string motions to top plate modes in a guitar, STL-QPSR 4/1973. Q11. Organ stops analyzed
by long-time-average-spectra (together
Q12. Long-time-average-spectra in critical bands for analysis of complex sound sources in reverberant rooms, STL-QPSR 1/1974 (final version S8). Q13. An analysis of long-time-average-spectra of twentytwo qualiy-rated violins (together with A. Gabrielsson), STL-QPSR 2-3/1976 (final version S11). Q14. Long-time-average-spectra of scales and spectra of single tones from a violin (together with J. Alonso Moral), STL-QPSR 1/1978. Q15. Analysis and assessment of musical sounds, STL-QPSR 4/1980 (together with H. Pollard) Q16. Eigenmodes, inadmittance and the function of the violin, STL-QPSR 1/1981 (together with J. Alonso Moral, final version S14). Q17. Sound Levels and Long-Time Spectra Recorded within the Symphony Orchestra and Risk Criteria for Hearing Loss, STL-QPSR 1/1982 (together with K Karlsson, final version S15). Q18. Input admittance, eigenmodes, and quality of violins, STL-QPSR 2-3/1982, (together with J. Alonso Moral). Q19. FEM-Analysis of an Orthotropic Shell to Determine Material Parameters of Wood and Vibration Modes of Violin Plates, STL-QPSR 4/1984 (together with Molin, Tinnsten and Wiklund). Q20. VibraVision and Electroacoustical Methods Applied to Determine Vibration Properties of Wooden "Blanks" for Violin Plates, STL-QPSR 4/1984, (together with L. Ek, final version S16). Q21. Experiments with Two Cylindrically Arched Spruce Plates and a Violin Top Plate, STL-QPSR 2-3 1985, pp 57-76 (together with J Niewczyk). Q22. Parameters Influencing Eigenmodes of Violin Plates, STL-QPSR 1 1986, pp 111-138 (together wih Molin and Lindgren, final version S18). Q23. Experiments with Violin Plates, STL-QPSR 4 1987 pp 25-42 (together with B. Niewczyk, final version S20). Q24. From Touch to String Vibration - the Initial Course of the Piano Tone, STL-QPSR 1 1988, pp. 31-109 (together with Askenfelt). Q25. Acoustics of the Steel Pan: Tone Generation and Tuning - an Introductory Study of Methods for Measurements, STL-QPSR 4 1988, pp 59-73 (together with Kronman). Q26. On Deviating Results of Optical Hologram Interferometry and Modal Analysis of a Violin, STL-QPSR 4/1989, pp. 45-52 (together with Molin). Q27. Violin Timbre and the Picket Fence, STL-QPSR 2-3/1990, pp. 89-95. Q28. Temporal Synthesis of String Instrument Tones, STL-QPSR 4/1990, pp. 81-100 (together with Chaigne and Askenfelt). Q29. On the influence of the neck on the guitar body vibrations, STL-QPSR 4/1991, pp. 11-18 (together with E. Meinel). Q30. Eigenmodes and electronic holography of three violins, STL-QPSR 4/1993, pp. 1-6 (together with Molin and Saldner). Q31. Timbre and properties of a violin, STL-QPSR 4/1993, pp. 7-14 (together with B Niewczyk and Frydén). Q32. Violin Timbre and the Picket Fence - part III, STL-QPSR 4/1994, pp.79-84. Q33. On the Body Resonance C3 and Its Relation to Top and Back Plate Stiffness, TMH-QPSR 1/1996 pp. 23-29, (together with B Niewczyk and Frydén). Q34. On the function of
the violin - vibration excitation and sound radiation, TMH-QPSR 4/1996
pp. 9-13.
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T2. On the acoustics of the violin, Proc. of the International Musicological Society Eleventh Congress, Copenhagen 1972. T3. On higher
air modes in the violin, The Catgut Acoustical Society Newsletter
19, 1973
T5. On plane and spherical waves in horns with nonuniform flare (together with A.H. Benade), Dept. of Speech Communication, KTH, Technical Report, March 15, 1973 (final verion S4). T6. Long-time-average-spectra in critical bands for analysis of complex sound sources in reverberant rooms, Catgut Acoustical Society Newsletter 22, 1974(also Q12, final version S8). T7. A pilot study on coupling between top plate and air volume vibrations , The Catgut Acoustical Society Newsletter 21, 1974, (together with H. Sundin). T8. Om materialets, tjocklekens och fastsättningens betydelse för vibrationer i och ljudutstrålning från trä, Det. of Speech Comunication, KTH, Technical Report, March 15, 1975 T9. En sammanställning av adjektiv karakteriserande upplevd klang från fioler (together with A. Gabrielsson), CTM Report 4-1976 (Dept. of Speech Communication, KTH). T10. Long-time-average-spectra - tonal quality, pp. 51-54 in 14. Akusticka Konferencia Akustika Reci A Vnimarie Zvuku, Bratislava 1976 (together with A. Gabrielsson). T11. En förberedande undersökning för prövning av gitarrers akusiska kvalitet. CTM-Report 1-1977 (Dept. of Speech Communicaion, KTH). T12. An analysis of long-time-average-spectra of twentytwo qualiy-rated violins , Catgut Acoustical Society Newsletter (together with A. Gabrielsson), (also Q13, final version S 11). T13. Uppmätta materialegenskaper för lockämnen och tonribbämnen till gitarrer CTM-report 1-1978 (Dept. of Speech Communication, KTH) T14. Eigenmodes and the function of the violin Catgut Acoustical Society Newsletter no. 34, 1980 (together with J. Alonso Moral, also Q15, final version S14). T15. Hovkapellet, Stockholmsfilharmonikerna och Radiosymfonikera. Ljudnivåer och långtidsspektra registrerade i orkestern och riskkriterier för hörselskador. Three preliminary reports (togeher with K. Karlsson), 1981. T16. Tal och musik i rum. En studie människa - lokalaspekter, final report to Statens råd för byggnadsforskning (together with K. Elenius, I. Karlsson, F. Lundin, M. Blomberg, A. de Serpa-Leitao, and D. Stranneby), 1981 T17. Fundamentals of the Guitar Tone, Journal of Guitar Acoustics, No. 6 (1982), pp. 26 - 41. T18. Akustiska mätningar vid placeringsprov med Stockholms filarmoniska orkester 83.09.27. T19. En undersökning av fem fria lock, bottnar och sammansatta violiner tillverkade av Carlo Hansen. T20. Experiment med lock- och bottenämnen att bestämma träets akustiska egenskaper (i samarbete med Carlo Hansen). T21. VibraVision and Electroacoustical Methods Applied to Determine Vibration Properties of Wooden Blanks, J Catgut Acoust Soc. 44 (1985) pp 16 - 22 (together with Ek). T22. A Violinmaker's Practical Test of Wood Properties Suggested from FEM-analysis of an Orthotropic Shell, J Catgut Acoust Soc 46 (1986, pp. 24-29 (tillsammans med Molin, Tinnsten och Wiklund) T23. Acoustics of the Violin - on Making, Function and Playing, J Acoust Soc India, 17 (1-2) 1989. T24. Experiments with Free Violin Plates, J Catgut Acoust Soc 1 No 2 1988 pp 2-6 (together Alonso and J Niewzcyk). T25. On Tuning of Free Violin Plates, J Catgut Acoust Soc 1 No 3 1989, pp 27-30 (together with N.-E. Molin). T26. On Tuning of the Violin Bridge, J Catgut Acoust Soc no 6 1 1990, pp. 11-15 (together with Fryde'n and Mattsson). T27. Zum Einfluss des Hlases auf die Schwingungen des Gitarrenkorpus, Das Musikinstrument 41 No 8 (1992) pp 48-52 (together with E Meinel) Go to top
C2. Resonanser i en violinkorpus. En undersökning med holograisk interferometri , Nordiska Musikforskarkongressen, Helsinki and Åbo, 1970, (together with N-E. Molin). C3. Svängningsmoder i en violinkorpus studerade med hjälp av holografisk interferometri, The Acoustical Society of Scandinavia meeting, Copenhagen 1970 (together with N-E. Molin). C4. STL-Jonofonen som mikrofon och hastighetsmätare, The Acoustcal Society of Scandinavia meeting, Copenhagen 1970 (together with F. Fransson). C5.The STL-ionophone transducer , 7th International Congress on Acoustics, Budapest 1971 (together with F. Fransson). C6. An investigation of a violin by hologram interferometry and electroacoustical measurements , 7th International Congress on Acoustics, Budapest 1971 (together with N-E. Molin and H. Sundin). C7. The STL-ionophone transducer , 84th Meeting of the Acoustical Society of America, 1972 (together with F. Fransson). C8. Recent studies of wall and air resonances of a violin, 84th Meeting of the Acoustical Society of America, 1972. C9. Current projects on the acoustics of the violin, Conference on the Acoustics of String Instruments, Montclair, NJ, USA 1972. C8. Coupling between top plate and air volume vibrations, Catgut Acoustical Society International Symposium on Violin Acoustics, Mittenwald, BRD 1974. C9. On long-time-average-spectra applied to analysis of stringed instruments, Catgut Acoustical Society International Symposium on Violin Acoustics, Mittenwald, BRD 1974. C10. Long-time-average-spectra used for analysis of violins, Catgut Acoustical Society, Technical Conference, Montclair, NJ, USA 1976. C11. On relations between wood parameters and bending vibrations of wood, Catgut Acoustical Society, Technical Conference, Montlair, NJ, USA 1976. C12. Acoustical properties of violin-shaped and guitar-shaped cavities, Catgut Acoustical Society, Technical Conference, Montlair, NJ, USA 1976. C13. Function and tonal quality of string instruments, Acoustical Society of America Meeting 1976. C14. Inharmonic mechanical oscillators and acoustical analysis (LTAS) and quality assessments of violins, IRCAM seminar, Baden-Baden, BRD 1976. C15. Long-time-average-spectra - tonal quality (together with A. Gabrielson), XIVth Conf. on Acoustics: Acoustics of Speech and Perception of Sounds, High Tatras, Chechoslovakia 1976. C16. Tone characteristics of the violin, Second Workshop on Physical and Neuropsychological Foundations of Music, Ossiach, Austria 1977. C17. Eigenmodes and the function of the violin , Workshop on the Acoustics of Stringed Musical Instruments, Wollongong Australia 1980 (together with J. Alonso Moral). C18. Frequency responses and played tones of guitars , Workshop on the Acoustics of Stringed Musical Instruments, Wollongong Australia 1980 (together with C. Caldersmith). C19. Analysis and assessment of musical sounds , Workshop on the Acoustics of Stringed Musical Instruments, Wollongong Australia 1980 (together with H. Pollard). C20. Analysis and assessment of musical sounds , 10th Interational Congress on Acoustics, Sydney, Australia 1980,(together with H. Pollard). C21. Acoustics for the guitarplayer, in Guitar Acoustics. Funcion, Quality, Music and Construction, The Royal Swedish Academy of Music, Stockholm 1981. C22. Acoustics for the guitarmaker, in Guitar Acoustics. Funcion, Quality, Music and Construction, The Royal Swedish Academy of Music, Musikakustiska nämnden, Stockholm 1981. C23. Tone characteristics of the violin, Catgut Acoustical Soiety Iternational Conference on Musical Acoustics, DeKalb, USA 1982. C24. Modes of vibration in the violin, Catgut Acoustical Society Iternational Conference on Musical Acoustics, DeKalb, USA 1982. C25. Fundamentals of the guitar tone, 103rd meeting Acoustical Society of America 1982. C26. Eigenmodes and quality of violins, 103rd meeting Acoustical Society of America 1982 (together with J Alonso Moral). C27. Piano touch, hammer action, and string motion, 103rd meeting Acoustical Society of America 1982 (together with A Askenfelt). C28. Pianoanslag, hammarens och strängens rörelse, Nordiska Akusiska sällskapet, Stockholm 1982 (together with A Askenfelt). C29. Egenmoder och violiners kvalitet, Nordiska Akustiska sällkapet, Stockholm 1982 (together with J Alonso Moral). C30. Är det farligt att vara symfoniorkestermusiker?, Nordiska Akustiska sällskapet, Stockholm 1982 (together with K. Karlsson). C31. Piano Touch, Hammer Action and String Motion, poster Stockholm Music Acoustics Conference 1983 (together with A. Askenfelt). C32. The Function of the Violin Body - What the Physicist does not know! Stockholm Music Acoustics Conference 1983 C33. Quality Properties of Violins and Their Measurements, Acoustic of Musical Instruments and Its Constructional Aspects, Kraslice, Czechoslovakia 6-9 September 1983 (together with J. Alonso Moral). C34. Piano Touch, Hammer Action and String Motion, Acoustic of Musical Instruments and Its Constructional Aspects, Kraslice, Czechoslovakia 6-9 September 1983 (together with A. Askenfelt). C35. From Touch to String Vibrations - The Initial Course of The Piano Tone, 113 Meeting of Acoust Soc Am maj 1987 (tillsammans med Askenfelt). C36. From Twenty Years of Violin Acoustics Research, 115 Meeting Acoust Soc Am, maj 1988. C37. Optical Modal
Analysis compared Modal Analysis with Digital Electronic Equipment,
116 Meeting of the Acoust Soc Am november 1988 (tillsammans med
C38. Acoustics of the Violin - on Making, Function and Playing, Raman Centenary Symposium on Acoustics, Bangalore Indien oktober 1988. C39. On the Acoustics of the Violin Body, International Symposium on Musical Acoustics , augusti 1989, Mittenwald Västtyskland. C40. From Free Plates to Assembled Violin, 13 Int Congr Acoust, Belgrad sept 1989 C41. High Frequency Properties of the Violin, 28 Acoust Conf, Strbske Pleso Tjeckoslovakien, oktober 1989. C42. Acoustics of the violin as function of its parts, ASA 121 Meeting, Baltimore, 1991 C43. Numerical and physical experiments on hammer and piano strings (tillsammans med Chaigne och Askenfelt), ASA 121 meeting, Baltimore 1991. C44. Experiments on the construction and function of the violin ,- CASA-´91, Annapolis 1991. C45. Vibration levels and finger forces in string instrument playing , CASA-´91, Annapolis 1991 (tillsammans med Askenfelt) C46. Eigenmodes and electronic holography of three violins, Stockholm Music Acoust Conf 1993, (tillsammans med Molin och Saldner). C47. Timbre and properties
of a violin, Stockholm Music Acoust Conf 1993,
C48. Vibration Sensations in Playing Stringed Instruments, ASA spring meeting 1994 (together with Askenfelt). C49. Vibrations in violins with tuned fingerboards, Acoust Soc Am 1994 spring meeting (tillsammans med Askenfelt) C50. Violin Timbre and the Picket Fence - Part III, 127th meeting ASA Boston, June 1994 C51. Measurments of the Sound Distribution from Vibration Modes of a Violin Using Reciprocity and Electronic Holography, ISMA'’5 Dourdan, France (together with Saldner and Molin) C52 The Bassbar and the Quality of a Violin, ISMA'’5 Dourdan, France(together with Niewczyk and Frydén) C53. Body Resonance C3 and Tonal Quality of a Vioolin, NAM96’ Helsinki, Finland (together with Niewczyk and Frdén). C54. On the acoustical function of the violin, 25th National Congress of the Italian Acoustical Society, 1997 Perugia C55. Mobility at the violin bridge and bridge properties (together with Niewczyk and Frydén) ISMA’97 (International symposium on musical acoustics, Edinburgh, proceddings Institute of Acoustics Vol 19:5, pp. 17-21). C56. Starting transients in violins and the elusive body resonance C3 (together with Askenfelt) ISMA’97 ( Proceddings Institute of Acoustics Vol 19:5, pp. 131-135). C57. Transient response of the violin body when impacted at a string (together with Molin, Schedin, and Gren) ISMA’97 (Proceddings Institute of Acoustics Vol 19:5, pp. 23-28). C58. Influence of top and back plate stiffness on low frequency modes of the violin (in cooperation with C and B Hansen, B Niewczyk, and L. Frydén) 31st Interntional Acoustical Conference. Tatras, Slovakien 1997, invited paper) C59. On the function of the violin bridge (in cooperation with B Niewczyk) 16 Int Congr Acoust, Berlin 1999 invited paper C60. Violin quality and bridge mobility (invited paper) 16 Int Congr Acoust, Berlin 1999 invited paper C61. The BH-peak of the violin and its relation to construcyion and function (in cooperation with B Niewczyk and L Frydén) 17 Int Congr Acoust, Rome 2001 invited paper C62. Prediction of Violin Radiation properties in the 200-700 Hz range (in cooperation with LH Morset and K Guettler) Int Symp Musical Acoustics, Perugia 2001 |
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